What does history really consists of? Centuries of people quietly going about their daily business - sleeping, eating, having sex, endeavouring to get comfortable. And where did all these normal activities take place? At home. [Bill Bryson - At Home, a short history of private life]
Visualizzazione post con etichetta Libri. Mostra tutti i post
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martedì 8 gennaio 2013
The Dreadful Story of Harriet and the Matches
The Dreadful Story of Harriet and the Matches is a short tale about children by the German author Heinrich Hoffmann. The original German title was "Die gar traurige Geschichte mit dem Feuerzeug", a poem collected in the book Der Struwwelpeter in 1845.
The story was used to tell childrens not to be scared by death, but as Bill Bryson says in his book "At Home, a Short history of Private Life", the effect was certainly the opposite.
It almost makes me cry to tell
What foolish Harriet befell.
Mamma and Nurse went out one day
And left her all alone at play.
Now, on the table close at hand,
A box of matches chanced to stand;
And kind Mamma and Nurse had told her,
That, if she touched them, they would scold her.
But Harriet said: "Oh, what a pity!
For, when they burn, it is so pretty;
They crackle so, and spit, and flame:
Mamma, too, often does the same."
The pussy-cats heard this,
And they began to hiss,
And stretch their claws,
And raise their paws;
"Me-ow," they said, "me-ow, me-o,
You'll burn to death, if you do so."
But Harriet would not take advice:
She lit a match, it was so nice!
It crackled so, it burned so clear—
Exactly like the picture here.
She jumped for joy and ran about
And was too pleased to put it out.
The Pussy-cats saw this
And said: "Oh, naughty, naughty Miss!"
And stretched their claws,
And raised their paws:
"'Tis very, very wrong, you know,
Me-ow, me-o, me-ow, me-o,
You will be burnt, if you do so."
And see! oh, what dreadful thing!
The fire has caught her apron-string;
Her apron burns, her arms, her hair—
She burns all over everywhere.
Then how the pussy-cats did mew—
What else, poor pussies, could they do?
They screamed for help, 'twas all in vain!
So then they said: "We'll scream again;
Make haste, make haste, me-ow, me-o,
She'll burn to death; we told her so."
So she was burnt, with all her clothes,
And arms, and hands, and eyes, and nose;
Till she had nothing more to lose
Except her little scarlet shoes;
And nothing else but these was found
Among her ashes on the ground.
And when the good cats sat beside
The smoking ashes, how they cried!
"Me-ow, me-oo, me-ow, me-oo,
What will Mamma and Nursey do?"
Their tears ran down their cheeks so fast,
They made a little pond at last.
La Tristissima Storia degli Zolfanelli is the italian version translated by Gaetano Negri in 1882 with the book Pierino Porcospino
Di sala in sala Paolinetta
Gira e rigira, sola soletta.
Di casa uscendo la sua mammina
Disse: “Ricordati di star buonina”.
Ma se non teme d’esser sgridata
Grida, fa il chiasso quella sventata.
Ecco essa vede sul tavolino
De’ zolfanelli lo scatolino.
“Oh, che grazioso bel giocherello!
Io voglio accender lo zolfanello.
La mamma accenderlo veduto ho spesso,
Io vo’ ripetere quel gioco istesso!”.
E Minz e Maunz, i due gattini
Alzano al cielo i lor zampini.
Gridano: “Il babbo questo non vuole
Più non rammenti le sue parole?
Miao, miao, miao.
Suvvia finiscila con questo gioco
Che c’è pericolo di prender foco!”.
Ai due gattini Paolinetta
Intenta al gioco non può dar retta.
Ecco la fiamma s’accende e brilla,
crepita il legno, scoppia, scintilla.
Tutta contenta la pazzerella
Agita il foco, ride, saltella.
E Minz e Maunz, i due gattini
Gidan: “La mamma questo non vuole,
più non rammenti le sue parole?
Miao, miao, miao.
Suvvia finiscila con questo gioco
Che c’è pericolo di prender foco”.
Ahimè la fiamma la bimba investe
Ardon le treccie, arde la veste.
Corre la misera di loco in loco
Non c’è più scampo, è tutta un fuoco.
E Minz e Maunz inorriditi
Mandano acuti urli infiniti.
Miao, miao, miao,
“Qui, qui venite, venite in fretta,
muore bruciata Paolinetta!”.
Brucia in un soffio, sfuma in un punto
Veste e persona, tutto è consunto.
Un po’ di cenere e due scarpini
Cara memoria dei suoi piedini.
E’ quel che resta! Non c’è più nulla
Di quell’indocile, vispa fanciulla.
E Minz e Maunz, i due gattini
Tergon le lacrime coi lor zampini.
Miao, miao, miao,
“Ahi! babbo e mamma, ahi! dove siete?
Ahi, vostra figlia più non vedrete!”.
Come un ruscello che irriga i prati
Scorron le lagrime dei desolati.
Sources:
Gutemberg.com
Filastrocche.it
lunedì 7 gennaio 2013
A Mickey Mouse Match Story
A nice story about matches and advertising, very important concepts in the history of matches, from a Disney Mickey Mouse comic by Enrico Faccini.
Source: Disney Topolino, edizione Italiana, n. 2592, 2006
martedì 11 dicembre 2012
A Match in a Book!
Book Cover
| Il Fiammifero Svedese, Anton Cechov |
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| Fiammiferi e altri racconti, Salinoch |
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| Fiammiferi | Matches Boxes, Matteo Guarnaccia |
| I Fiammiferi | collezionismo curiosità e giochi, Anders Neumuller |
| Il cinema nella scatola di fiammiferi, Vladimir Stojšin |
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| Il fiammifero svedese e il segreto dell'amore, Philip Pullman |
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| Il gioco dei fiammiferi, Anna Pacifico |
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| Il matrimonio dei fiammiferi, Carroll Jonathan |
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| Io innalzo fiammiferi, Irene E. Leo |
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| La bambina che amava troppo i fiammiferi, Gaétan Soucy |
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| La nave di fiammiferi, Cinzia Sesti |
martedì 20 novembre 2012
At Home, a short history of private life
The chosen book for the course is «At Home, a short history of private life», in the italian version «Breve Storia della Vita Privata» by Bill Bryson.
The author tries to tell the history of the world, the evolution of the habits and life conditions through centuries by starting from his house in the eastern England.
He analyzes each room by its history and the people who lived and worked there, passing through the objects that was used there, creating a sort of a documented stream of consciusness.
The main narrative feature is that of telling first the rumors about the history and then solving the reader's curiosity by the documented ones.
Here there's an extract form the main course blogsite, History of Things, that analyzes the history of a room starting from the evolution of the name.
The author tries to tell the history of the world, the evolution of the habits and life conditions through centuries by starting from his house in the eastern England.
He analyzes each room by its history and the people who lived and worked there, passing through the objects that was used there, creating a sort of a documented stream of consciusness.
The main narrative feature is that of telling first the rumors about the history and then solving the reader's curiosity by the documented ones.
Here there's an extract form the main course blogsite, History of Things, that analyzes the history of a room starting from the evolution of the name.
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